Jesse Cook Performs in the Boston area at the Somerville Theatre February 24

Jesse Cook Performs in the Boston area at the Somerville Theatre February 24 - flamenco, Latin, guitarist

55 Davis Square, Somerville, Massachusetts 02144

TICKETS!

$38, $33

HERE

Somerville Theatre Box Office is open

4 pm to 8 pm

except holidays. Info: 617-625-4088

Media Box

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JesseCookBio.pdf

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HT Productions Presents
JESSE COOK IN CONCERT
THURSDAY, FEBRUARY 24 AT 8 PM AT
THE SOMERVILLE THEATRE

Boston, MA, – On Thursday, February 24 at 8:00 p.m., guitarist Jesse Cook and his ensemble will perform in concert at the Somerville Theatre [55 Davis Square, Somerville, MA 02144]. Tickets priced at $38 and $33 [including $1 restoration fee] are on sale now on line at http://www.somervilletheatreonline.com [low service charges] or at the Somerville Theatre Box Office [4:00 PM - 8:00 PM except holidays] located at 55 Davis Square, Somerville, MA 02144. For more information, call: 617-625-4088. The Somerville Theatre is wheelchair accessible.

Guitarist Jesse Cook will perform with Chris Church on violin, vocals and flute, Rosendo “Chendy” Leon Arocha on percussion, Dennis Mohammed on bass and Nicolas Hernandez on 2nd guitar.

Seven studio albums in fifteen years is, in itself, a measure of Jesse Cookʼs artistic success. And, for Cooke’s most recent recording, The Rumba Foundation, he wanted to trace rumba flamenco back to its roots in Cuba. His instincts though got the better of him and he wound up spending time in Bogota, Colombia.

The resulting body of work is sublime, a continuation of Cookʼs insatiable appetite for world music in all its forms.

Loyal fans have been thrilled with The Rumba Foundation, as he has entitled the album, while those who never before experienced Cookʼs creativity have found themselves tapping their feet to these extraordinary Latin rhythms wondering why they have not experienced Cook before.

The Rumba Foundation continued the journey Jesse Cook has travelled ever since he was first exposed to rumba flamenco while visiting his father in Arles in the south of France. What other teenager can lay claim to jamming with The Gi psy Kings on his fatherʼs roof? On this album Cook matured and his trip to Bogota appears to have been time well spent.

“Colombia just took over this project,” the Juno award-winning guitarist admits with a laugh. “So now I describe it as ʻreturning to the Americas.ʼ”

“I flew down to Colombia and worked with a group called Los Gaiteros de San Jacinto. They won a Latin Grammy® back in 2007. They play traditional music known as Vallenato and they make all their own instruments by hand including gaitos flutes. I learned these flutes are always played in pairs and in only one key. They are doing it ʻold school.ʼ”

The band members took a lengthy bus ride from their village in northern Colombia to meet their guest in Bogota. Then, following a dinner of home cooked Ajiaco, a traditional soup of avocado, chicken and potatoes, they performed an impromptu Vallenato concert right in the living room of their managerʼs house. The visitor was obliged to play some of the songs he wanted to record with them.

Hearing Cookʼs incendiary guitar playing they might well have been bemused, wondering how the two styles would mesh. There really was no structure to this first encounter. Rather, Cook who also assumed the role of record producer, saw this as an opportunity to find a musical common ground which they would build upon in the studio over the following days.

Itʼs a similar approach he took when recording the many different rhythms in Egypt, Spain and elsewhere for his two more other studio albums Frontiers and Nomad both of which, it should be noted, quickly climbed to #5 on the Billboard charts. “If I go down there and teach them what I want them to do whatʼs the point in going down? I could just get somebody in Toronto to play it,” he declared. “Half the reason you go down there, in their own country, their own studio, is that you are bound to bring something out of it that you would never get in your home country.”

Since his Juno Award-nominated DVD Jesse Cook Live at the Metropolis which was filmed at the 2007 Montreal Jazz Festival, Cook may have slipped in and out of the spotlight at home. But he certainly hasnʼt been idle. In 2009 alone he and his band headlined jazz festivals in Dubai, Singapore, Poland and London, England. Invitations also arrived to play in Ireland, Italy, Japan and even Turkey.

In 2008, he achieved something no one before him ever has. He dominated both the smooth jazz radio charts with his Top 3 single, “Café Mocha” and the Billboard New Age chart with his #1 album Frontiers, which spent over 70 weeks in the Top 10.

“There is a Facebook page for Jesse Cook fans in Turkey,” he says in disbelief, “I guess I have fans

in Turkey,” he says in disbelief, “I guess I have fans there. And, years ago, I played as a guest of The Chieftains in Japan. We have since been getting more hits in Japan than anywhere outside the United States. I have this great fan base. Itʼs just that I have never gone to play there.”

In 2008. Acoustic Guitar magazine awarded Jesse the Silver medal for Flamenco Guitarist in its prestigious Playerʼs Choice Awards, a tie with Ottmar Liebert. Naturally he was delighted to be on the same flamenco podium as his hero, the legendary Paco de Lucia, who struck gold.

In 2009, The Rumba Foundation enjoyed its syndicated world-wide premier in Los Angeles via the prominent jazz station ʻThe Wave.’ A live performance at L.A.ʼs famous Greek Theatre followed.

Though the Colombian adventure features prominently on this disc, as is his custom, Cook covered a classic and managed to make it his own. This time its Simon and Garfunkelʼs “Cecilia.” Another noteworthy track is “La Rumba D'el Jefe” which is a fusion of rumba flamenca with Cuban son music.

“I honestly think this is my best album ever,” Cook announced. “I donʼt believe that Vallenato and Rumba Flamenco have ever been mixed before. There are some real magic moments.”